UG English Booster Test 2 - Introduction & Setting
📌 Answers are locked once submitted — results and explanations appear at the end.
QUESTION 1 OF 20
Arrange the events as they introduce the play:
1. An old man and a small boy meet in a garden.
2. The boy acts withdrawn and defiant.
3. The old man strikes up a friendship.
4. The author Susan Hill sets up the scene.
QUESTION 2 OF 20
QUESTION 3 OF 20
QUESTION 4 OF 20
Assertion (A): Derry's face was severely disfigured by acid, which "ate his face up".
Reason (R): Derry spilled the acid while carelessly participating in a school science experiment.
QUESTION 5 OF 20
Match the elements found in Mr Lamb's garden:
| List 1 | List 2 |
|---|---|
| 1. Crab apples | a. Tall and growing in the garden |
| 2. Weeds | b. Described as 'singing' |
| 3. Sun-flowers | c. Windfalls in the long grass |
| 4. Bees | d. A patch beside the far wall |
QUESTION 6 OF 20
Match the phrasal verbs connected to the atmosphere of the garden:
| List 1 | List 2 |
|---|---|
| 1. Shut out | a. To isolate oneself completely |
| 2. Pull down | b. To remove something forcibly |
| 3. Lock up | c. To prevent light/wind from entering |
| 4. Blow off | d. To fetch fruits using a stick |
QUESTION 7 OF 20
If Derry had noticed Mr Lamb before walking around the screen of bushes, he ____________.
QUESTION 8 OF 20
Mr Lamb warns Derry: "Crab apples those are. _______ in the long grass. You could trip".
QUESTION 9 OF 20
Which statement is NOT true regarding Derry's initial reaction?
QUESTION 10 OF 20
Mr Lamb says, "Not on my account" when Derry says he has to go. What does 'on my account' mean here?
QUESTION 11 OF 20
Mr Lamb emphasizes that all are "welcome". What is an appropriate synonym for 'welcome' here?
QUESTION 12 OF 20
"I thought this was an empty place," Derry says. Choose the antonym for 'empty'.
QUESTION 13 OF 20
Arrange the sequence of Derry's thoughts regarding how people view him:
1. "When I look in the mirror, and see it, I'm afraid of me."
2. "That's the ugliest thing I ever saw."
3. "You look at me...and then you see my face."
4. "Underneath, you are afraid."
QUESTION 14 OF 20
Assertion (A): Derry believes that a beautiful girl will someday kiss him and break a magic spell.
Reason (R): Derry expects rejection because he thinks the "Beauty and the Beast" fairy story is unrealistic for his situation.
QUESTION 15 OF 20
Match the welcoming aspects of Mr Lamb's life:
| List 1 | List 2 |
|---|---|
| 1. Window curtains | a. It is always open for visitors. |
| 2. The gate | b. His house is full of them. |
| 3. Books | c. He makes it with honey for kids. |
| 4. Toffee | d. He is not fond of them, keeping the house open. |
QUESTION 16 OF 20
Even if kids maliciously call him 'Lamey-Lamb', Mr Lamb _________.
QUESTION 17 OF 20
Derry claims, "I don't like being near people. When they stare....when I see them being _______ of me".
QUESTION 18 OF 20
Match the phrasal verbs connected to the emotional tension:
| List 1 | List 2 |
|---|---|
| 1. Look at | a. To hide an impairment with trousers |
| 2. Run away | b. To explode, destroying a limb |
| 3. Cover up | c. To stare at someone's face |
| 4. Blow up | d. To flee in terror |
QUESTION 19 OF 20
Which of the following is NOT a sign of their growing bond?
QUESTION 20 OF 20
Derry calls Mr Lamb "peculiar". What does 'peculiar' mean in this context?
Test Complete!
Answer Review
1 Arrange the events as they introduce the play:
1. An old man and a small boy meet in a garden.
2. The boy acts withdrawn and defiant.
3. The old man strikes up a friendship.
4. The author Susan Hill sets up the scene.
The dramatic structural framework must introduce the creator and the setting before the action can begin. The physical positioning of the characters in the garden area establishes the starting interaction. The characters' specific behavioral configurations emerge sequentially as dialogue unfolds.
The progression follows a fundamental structural narrative logic. First, the author Susan Hill establishes the initial conditions, providing the physical stage layout, directions, and natural environment markers (4). Once the setting is active, the physical meeting takes place when the young intruder climbs into the old man's orchard territory (1). Directly following this contact, the boy shows his emotional defense mechanisms by acting extremely withdrawn, defensive, and openly defiant (2). Finally, the old man handles this hostility with gentle warmth, attempting to break the ice and build an unlikely friendship (3). This presents the sequence 4, 1, 2, 3.
- Option B is incorrect because it mistakenly puts the author's scene setup at the very end instead of at the opening structural foundation.
- Option C is incorrect because it states that the boy displays his complex defiance before actually meeting the old man in the garden.
- Option D is incorrect because it scrambles the narrative layout, putting character traits before the setting is even established.
Used: Structural Narrative Sequencing
Application: Identifying the scene setup (4) as the absolute anchor point and the forming of the friendship (3) as the natural conclusion clarifies the timeline.
Final Logic: Only Option A properly frames the theatrical experience from stage directions to character behavior.
(Always Make Derries Friends)
2
Derry's traumatic evaluation of his scar shapes his negative outlook on life. The hyperbole "It ate me up" highlights how the injury has consumed his entire identity. He feels trapped by his condition, stating despondently that it will never change.
Derry's language reveals deep psychological wounds and intense isolation. By using phrases like "It ate my face up. It ate me up," he shows that he views himself as completely ruined and permanently cut off from normal society. His question, "Aren't you interested?", shows that he constantly expects people to feel either disgust, horror, or fake pity. He believes his acid-burnt face is an unchangeable barrier that will keep him isolated forever, making option D the correct answer.
- Option A is incorrect because Mr. Lamb does not ignore the boy; he explicitly states that he is interested in him and welcomes everyone.
- Option B is incorrect because Derry's raw statements are expressions of deep grief and vulnerability, not arrogant boasting.
- Option C is incorrect because the passage highlights that the garden gate remains open and accessible to any visitor.
Used: Subtextual Theme Extraction
Application: Analyzing his expressions of hopelessness shows that his psychological pain is rooted in a feeling of permanent isolation.
Final Logic: Derry's focus on his permanent physical limitation lines up perfectly with a mindset trapped in deep isolation.
Acid ate his face and peace of mind, leaving all human warmth behind.
3
Mr. Lamb avoids focusing on Derry's facial disfigurement. He views the boy simply as another human being visiting his garden. His worldview is inclusive, built on universal acceptance and kindness.
When Derry challenges him about his interest, Mr. Lamb responds with total kindness and acceptance: "I'm interested in anybody. Anything." He chooses to look past the frightening facial scar, focusing instead on the basic fact that a living human being has entered his space. This shows his inclusive, open philosophy and his refusal to judge people based on their physical appearance, confirming option C.
- Option A is incorrect because Mr. Lamb's remarks are philosophically driven, showing zero interest in petty local rumors or gossip.
- Option B is incorrect because he shows no fear, horror, or disgust when looking closely at Derry's severe burn scars.
- Option D is incorrect because he leaves his gate open for free entry and never demands payment from the neighborhood children.
Used: Character Philosophy Mapping
Application: Matching his statement "I'm interested in anybody" with his actions shows his deeply accepting worldview.
Final Logic: His inclusive statement shows that he treats Derry as an equal human being, validating option C.
Interested in any and all, no matter who climbs over the wall.
4 Assertion (A): Derry's face was severely disfigured by acid, which "ate his face up".
Reason (R): Derry spilled the acid while carelessly participating in a school science experiment.
The assertion is completely true; acid severely burned away one side of Derry's face. The reason is completely false; the play never claims he had an accident in a school science lab. The text leaves the exact origin of the acid mysterious, focusing only on its destructive impact.
Derry explicitly describes his physical trauma using the visceral phrase, "It ate my face up. It ate me up," which makes Assertion (A) a completely true description of the text. However, the backstory provided in Reason (R)—claiming he spilled the chemical during a school science class—is entirely made up and never mentioned in Susan Hill's play. Because the assertion is factually accurate and the reason is entirely false, option B is the correct choice.
- Option A is incorrect because it falsely claims that the quote regarding his acid-burnt appearance is incorrect.
- Option C is incorrect because it validates the fake backstory about a school chemistry lab accident.
- Option D is incorrect because it flips the truth values, mislabeling the true quote as false and the false backstory as true.
Used: Textual Fact Verification
Application: Checking the script confirms the "ate my face up" quote while showing that the school lab rumor is completely absent from the text.
Final Logic: Since the text supports the assertion but disproves the reason, option B is the only logical choice.
The acid burn is a factual trace, but school labs had no part in his face.
5 Match the elements found in Mr Lamb's garden:
| List 1 | List 2 |
|---|---|
| 1. Crab apples | a. Tall and growing in the garden |
| 2. Weeds | b. Described as 'singing' |
| 3. Sun-flowers | c. Windfalls in the long grass |
| 4. Bees | d. A patch beside the far wall |
Crab apples fall naturally into the tall grass as windfalls. Mr. Lamb sets aside a special patch near the far wall specifically for weeds. Sunflowers grow tall against the boundaries, while the honeybees are described as "singing."
Each natural element matches a specific description given by Mr. Lamb. The wild crab apples drop into the deep grass and are explicitly referred to as "windfalls" (1-c). Mr. Lamb keeps a dedicated garden space near the back boundary wall that he calls his "weed patch" (2-d). The bright sunflowers grow tall and upright along the garden fences (3-a). Finally, Mr. Lamb shares his positive outlook by notes that he hears his bees "singing" rather than just buzzing around the hives (4-b). This aligns with the sequence 1-c, 2-d, 3-a, 4-b, matching option D.
- Option A is incorrect because it matches crab apples with tall vertical growth instead of fallen fruit.
- Option B is incorrect because it claims crab apples are the insects described as singing.
- Option C is incorrect because it scrambles the descriptions, pairing crab apples with the far wall patch.
Used: Elimination via Structural Anchors
Application: Connecting bees with "singing" (4-b) and crab apples with "windfalls" (1-c) narrows the choices down to option D.
Final Logic: Double-checking the remaining points confirms that option D matches the text perfectly.
Apples drop down (1-c); Bees make a singing sound (4-b).
6 Match the phrasal verbs connected to the atmosphere of the garden:
| List 1 | List 2 |
|---|---|
| 1. Shut out | a. To isolate oneself completely |
| 2. Pull down | b. To remove something forcibly |
| 3. Lock up | c. To prevent light/wind from entering |
| 4. Blow off | d. To fetch fruits using a stick |
"Shut out" means using curtains or walls to block light or wind from entering a room. "Pull down" describes harvesting ripe crab apples from the branches using a long stick. "Lock up" refers to isolating oneself from society, while "blow off" means a limb being forcibly removed by an explosion.
These phrasal verbs describe both the physical tasks in the garden and the psychological traits of the characters. Mr. Lamb uses curtains to avoid "shutting out" the light and natural world (1-c). He uses a ladder and stick to "pull down" ripe crab apples from his trees (2-d). The phrase "lock up" describes the behavior of the paranoid man in his story who isolates himself inside away from all danger (3-a). Finally, "blow off" describes how Mr. Lamb lost his real leg in a wartime explosion (4-b). This gives the sequence 1-c, 2-d, 3-a, 4-b, matching option A.
- Option B is incorrect because it matches "shut out" with harvesting fruit with a stick.
- Option C is incorrect because it pairs "shut out" with personal psychological isolation.
- Option D is incorrect because it mixes up all the physical actions and definitions completely.
Used: Idiomatic Contextual Alignment
Application: Linking "lock up" with complete personal isolation (3-a) filters the choices down to option A immediately.
Final Logic: Cross-checking the remaining terms confirms that option A outlines all the actions perfectly.
Lock up = Isolation fear (3-a); Pull down = Fruit collection (2-d).
7 If Derry had noticed Mr Lamb before walking around the screen of bushes, he ____________.
Derry suffers from intense social anxiety and actively avoids human contact. He entered the property solely because he thought it was completely empty and abandoned. Spotting another human being would have triggered his instinct to run away.
Derry repeatedly explains that he does not like being around other people because he hates being stared at or pitied. He crept into the garden because he believed the house and yard were completely empty. If he had seen Mr. Lamb sitting on his bench before walking past the bushes, he would have skipped the property entirely to avoid an awkward social interaction, making option D the correct answer.
- Option A is incorrect because Derry does not want to demand things from strangers or call attention to himself.
- Option B is incorrect because his primary goal was to find an isolated space, not to steal fruit.
- Option C is incorrect because Derry is the one entering private property, so he has no grounds to call the authorities.
Used: Character Intent Analysis
Application: Evaluating his core motivation—avoiding people—helps determine how he would react to seeing someone.
Final Logic: His fear of being seen confirms that spotting Mr. Lamb early would have caused him to avoid the garden completely, validating option D.
To escape the public eye, he would have run right by.
8 Mr Lamb warns Derry: "Crab apples those are. _______ in the long grass. You could trip".
"Windfalls" is a specific term for fruit that is blown down from trees by the wind. These fallen apples hide in the tall grass, creating a tripping hazard for visitors. Mr. Lamb uses this phrase to warn Derry to watch his step.
In his opening line, Mr. Lamb speaks up from the shadows to warn Derry about his footing. He explains that the wind has blown ripe crab apples down into the tall, un-mowed grass. He uses the exact term "windfalls" to describe them and warns the boy not to trip over them, making option D the correct textual match.
- Option A is incorrect because although Mr. Lamb values his fruit, he refers to them by their practical name, not as treasures.
- Option B is incorrect because ornaments are decorative pieces, which does not fit wild fruit dropped in the grass.
- Option C is incorrect because cobwebs are made by spiders, which would not cause someone to trip and fall.
Used: Direct Textual Retrieval
Application: Locating Mr. Lamb's very first line in the play reveals that "windfalls" is the exact noun he uses.
Final Logic: The text uses the word "windfalls" to describe the fallen fruit, confirming option D.
Apples dropped by a heavy breeze are Windfalls from the orchard trees.
9 Which statement is NOT true regarding Derry's initial reaction?
The question asks for the statement that is NOT true about Derry's reaction. Derry is terrified when discovered and behaves like a trapped animal. He uses defensive words to protect himself, but he never carries or threatens anyone with a weapon.
Derry's initial reaction is defined by fear, shock, and confusion. He stammers out his sentences, repeats his questions in a panic, and explains that he only entered because he thought no one was home. He is startled because Mr. Lamb spoke from nearby, but he never uses or threatens him with a weapon. Therefore, statement C is completely false, making it the correct choice for this question.
- Option A is incorrect because it is true; his opening lines are broken up by nervous stammers ("What?... Who's there?").
- Option B is incorrect because it is true; he explicitly states that he thought it was an empty place.
- Option D is incorrect because it is true; Mr. Lamb's sudden voice catches him completely off guard.
Used: Factual Falsehood Identification
Application: Reviewing the dialogue shows that Derry uses no weapons, identifying option C as the false statement.
Final Logic: Because Derry relies on running away rather than physical violence, statement C is factually incorrect.
He panics and tries to look tough, but he carries no dangerous weapon stuff.
10 Mr Lamb says, "Not on my account" when Derry says he has to go. What does 'on my account' mean here?
"On my account" is an idiomatic phrase about personal motivation and care. Mr. Lamb does not want his presence to drive the boy away from the garden. He assures Derry that he is welcome to stay and enjoy the space.
When Derry panics and says he must leave right away, Mr. Lamb tries to calm him down by saying, "Not on my account." He is using the idiom to tell the boy that he shouldn't feel forced to run away just because an old man is sitting in the garden. He wants Derry to know that his presence is not a threat, making option B the correct definition.
- Option A is incorrect because the scene is about hospitality, not bookkeeping, mathematics, or financial calculations.
- Option C is incorrect because banking institutions and commercial finance have nothing to do with this conversation.
- Option D is incorrect because providing a written report or an historical account does not fit the context of the dialogue.
Used: Idiomatic Contextual Analysis
Application: Testing the sentence "Don't leave because of me" shows that it fits the conversational context perfectly.
Final Logic: The phrase focuses entirely on personal care and hospitality, confirming option B.
"Not on my account" means "Don't leave for my sake."
11 Mr Lamb emphasizes that all are "welcome". What is an appropriate synonym for 'welcome' here?
"Welcome" describes an open, positive reception for arriving guests. Mr. Lamb wants every passerby to feel comfortable visiting his garden. "Invited" captures this sense of open warmth and acceptance perfectly.
Mr. Lamb's main goal is to create an open space free of social barriers. He states clearly that his gate is always open and that anyone who walks by is welcome to join him. In this context of open hospitality, "invited" serves as the best synonym, showing that all visitors are welcome to share his space, making option A the correct choice.
- Option B is incorrect because expelled is an antonym, meaning to force someone to leave.
- Option C is incorrect because condemned is a negative term, meaning to judge or punish someone harshly.
- Option D is incorrect because banned is an antonym, meaning to legally block people from entering.
Used: Positive/Negative Tone Filter
Application: The word "welcome" has a warm, positive tone, which immediately rules out negative options like expelled, condemned, or banned.
Final Logic: Invited is the only positive choice that matches Mr. Lamb's open-door philosophy.
To be Welcome is to be Invited inside (Walk In).
12 "I thought this was an empty place," Derry says. Choose the antonym for 'empty'.
"Empty" means a space has no people, objects, or inhabitants inside. Derry is surprised to find someone already using the garden. The question asks for an antonym, which requires a word meaning a space is filled or being used.
Derry entered the garden because he believed it was an abandoned, empty space where he could hide from society. Finding Mr. Lamb there disproves his assumption. The opposite of an empty space is one that is currently being lived in or used by someone. Therefore, "occupied" serves as the literal antonym, making option C the correct answer.
- Option A is incorrect because vacant is a direct synonym, describing an empty or available space.
- Option B is incorrect because hollow describes an empty interior space, acting as a close synonym.
- Option D is incorrect because deserted means abandoned or empty, which matches Derry's original assumption.
Used: Semantic Contrast Screening
Application: Filtering the options shows that vacant, hollow, and deserted all share the same empty theme.
Final Logic: Occupied stands out as the only option that denotes a filled space, making it the antonym.
An Empty house has no one inside; an Occupied home is where people reside.
13 Arrange the sequence of Derry's thoughts regarding how people view him:
1. "When I look in the mirror, and see it, I'm afraid of me."
2. "That's the ugliest thing I ever saw."
3. "You look at me...and then you see my face."
4. "Underneath, you are afraid."
Derry describes a step-by-step process of how people react to his appearance. The sequence moves from a stranger's first glance to their internal fear. It ends with Derry looking in the mirror and admitting his own self-dread.
Derry explains the cruel social interactions he experiences daily. He tracks this process step-by-step: first, a stranger turns to glance at him before noticing his severe burn scars (3). Next, he recites the cruel thoughts he imagines racing through their minds: "That's the ugliest thing I ever saw" (2). He then points out their hidden reactions, claiming that even if they act polite, "Underneath, you are afraid" (4). Finally, he reveals his deepest pain, admitting that this fear is contagious: "When I look in the mirror, and see it, I'm afraid of me" (1). This sets the sequence as 3, 2, 4, 1, matching option B.
- Option A is incorrect because it places his internal mirror reflection (1) before he tracks how strangers look at him in public.
- Option C is incorrect because it starts with their hidden internal fear before explaining how they first look at his face.
- Option D is incorrect because it places his imaginary quotes before establishing the initial glance.
Used: Multi-Step Process Analysis
Application: The logic must follow a path from an external glance (3) to an internal reaction (4), leading down to his own private mirror reflection (1).
Final Logic: Only Option B accurately tracks his thoughts from public interactions to his internal self-loathing.
(Seeing Ugly Appearance Matters)
14 Assertion (A): Derry believes that a beautiful girl will someday kiss him and break a magic spell.
Reason (R): Derry expects rejection because he thinks the "Beauty and the Beast" fairy story is unrealistic for his situation.
The assertion is completely false; Derry does not believe in fairy tale endings or magic spells for his face. The reason is completely true; he dismisses "Beauty and the Beast" as an unrealistic story that doesn't change real-world cruelty. He notes bitterly that no matter what happens, his physical appearance will never change.
Derry brings up the story of "Beauty and the Beast" to show how cynical he has become about his situation. He rejects the fairy tale's comforting lesson, noting bitterly that even if someone kissed him, it wouldn't change his appearance: "I won't change." This makes Assertion (A) false, as he doesn't believe in magic spells. However, Reason (R) is completely true because he expects constant rejection and views the story as a hollow lie that doesn't apply to his real-world trauma. This makes option D the correct choice.
- Option A is incorrect because the Reason accurately explains Derry's bitter take on fairy tales.
- Option B is incorrect because it claims Derry believes in romantic magic spells, which contradicts his pessimistic character.
- Option C is incorrect because it treats the false assertion about his optimism as a true fact.
Used: Character Consistency Verification
Application: Testing both statements against Derry's bitter personality shows that he would naturally reject happy fairy tale endings.
Final Logic: Since he explicitly scorns the idea of a magical transformation, the assertion is false and the reason is true.
Fairy tales are values he won't receive; the Beast's happy transformation is a lie he won't believe.
15 Match the welcoming aspects of Mr Lamb's life:
| List 1 | List 2 |
|---|---|
| 1. Window curtains | a. It is always open for visitors. |
| 2. The gate | b. His house is full of them. |
| 3. Books | c. He makes it with honey for kids. |
| 4. Toffee | d. He is not fond of them, keeping the house open. |
Mr. Lamb refuses to use window curtains because he hates shutting out the natural world. His garden gate stays unlatched and open to welcome any visitor. His house is packed with books, and he makes sweet toffee using fresh honey for the local kids.
Each object highlights Mr. Lamb's open and welcoming approach to life. He explains that he dislikes window curtains because they block out light and isolate a home, preferring to keep his windows open to the world (1-d). His front gate is never locked, serving as a permanent sign of welcome for visitors (2-a). He mentions that his house is filled with books, showing his active mind (3-b). Finally, he uses honey from his beehives to make homemade toffee for the neighborhood children who visit his orchard (4-c). This gives the sequence 1-d, 2-a, 3-b, 4-c, matching option A.
- Option B is incorrect because it matches window curtains with being wide open for visitors.
- Option C is incorrect because it claims he makes window curtains out of honey.
- Option D is incorrect because it scrambles the descriptions, pairing curtains with his library collection.
Used: Elimination via Textual Features
Application: Pairing curtains with his dislike of shutting out the world (1-d) and toffee with honey (4-c) eliminates options B, C, and D.
Final Logic: Checking the remaining pairs confirms that option A accurately reflects Mr. Lamb's open lifestyle.
Gate open wide (2-a); Toffee made inside (4-c).
16 Even if kids maliciously call him 'Lamey-Lamb', Mr Lamb _________.
Mr. Lamb does not let cruel insults ruin his love for people. He understands that the children's name-calling is just a game, not real hatred. He continues to welcome them into his orchard despite their teasing.
Derry points out that the neighborhood kids tease him behind his back, calling him "Lamey-Lamb." Mr. Lamb calmly dismisses the insult, noting that the nickname fits him well and doesn't bother him. He refuses to hold a grudge, leave his gate locked, or punish them. Instead, he continues to welcome them into his garden to share his fruit and toffee, confirming option B.
- Option A is incorrect because locking his gates would go against his core philosophy of keeping his property open to everyone.
- Option C is incorrect because he avoids involving the police over harmless neighborhood teasing.
- Option D is incorrect because he uses his crab apples to make sweet jelly for guests, never as weapons to throw at children.
Used: Core Character Evaluation
Application: Testing the choices against Mr. Lamb's patient, forgiving nature helps identify his response to teasing.
Final Logic: His choice to keep the gates open shows his deep maturity and resilience, validating option B.
Names will never cause him fright; his garden gates stay open wide.
17 Derry claims, "I don't like being near people. When they stare....when I see them being _______ of me".
Derry notices a recurring pattern when strangers look at his burn scars. People often hide their discomfort behind a mask of fear. This constant fear from others is what drives him to isolate himself.
Derry explains that public spaces cause him intense anxiety because people can't help but stare at his face. He notes that beneath their polite expressions, strangers are deeply uncomfortable and terrified of his disfigurement. He states explicitly that he hates seeing them look "afraid" of him, which drives his desire to stay isolated, making option C the correct textual match.
- Option A is incorrect because people feel pity or horror when looking at his scar, never jealousy.
- Option B is incorrect because bystanders notice his face immediately rather than remaining ignorant or unbothered.
- Option D is incorrect because strangers react with discomfort and fear, not with warmth or fondness.
Used: Contextual Value Verification
Application: Reviewing Derry's descriptions of public interactions reveals that "afraid" is the exact word he uses.
Final Logic: The text links his social anxiety directly to the fear he sees in other people's eyes, confirming option C.
He stays clear of the crowd because their eyes look afraid and loud.
18 Match the phrasal verbs connected to the emotional tension:
| List 1 | List 2 |
|---|---|
| 1. Look at | a. To hide an impairment with trousers |
| 2. Run away | b. To explode, destroying a limb |
| 3. Cover up | c. To stare at someone's face |
| 4. Blow up | d. To flee in terror |
"Look at" refers to the painful public scrutiny Derry faces when people stare at his face. "Run away" describes his instant instinct to flee from uncomfortable social interactions. "Cover up" means hiding a physical limitation, while "blow up" refers to the bomb blast that took Mr. Lamb's leg.
Each phrasal verb captures a key emotional or physical element of the characters' backgrounds. "Look at" describes how strangers stare cruelly at Derry's facial disfigurement (1-c). "Run away" represents Derry's constant urge to flee in terror whenever he is discovered by others (2-d). "Cover up" refers to Mr. Lamb using long trousers to hide his artificial tin leg from view (3-a). Finally, "blow up" describes the wartime explosion that took Mr. Lamb's real leg years ago (4-b). This matches the sequence 1-c, 2-d, 3-a, 4-b, aligning with option D.
- Option A is incorrect because it matches "look at" with a violent military bomb explosion.
- Option B is incorrect because it claims "look at" means running away from social interactions in a panic.
- Option C is incorrect because it pairs "look at" with hiding a physical handicap using clothing.
Used: Elimination
Application: Linking "run away" with fleeing in terror (2-d) and "blow up" with an explosion (4-b) quickly narrows down the choices.
Final Logic: Only option D properly aligns all four phrasal verbs with their narrative definitions.
Run away = Flee the place (2-d); Look at = Stare at his face (1-c).
19 Which of the following is NOT a sign of their growing bond?
The question asks for the statement that does NOT show their growing bond. Derry is naturally slow to trust anyone and remains defensive for a long time. The claim that he instantly trusts Mr. Lamb and offers to adopt him is completely made up.
Their connection develops slowly through a careful, deep conversation. Mr. Lamb coaxes Derry out of his shell using metaphors about weeds and sharing stories about a paranoid man who isolated himself out of fear. Over time, Derry relaxes and admits that he enjoys the peaceful garden setting. However, Derry never offers to "adopt" the old man, and his trust is built gradually rather than instantly. This makes statement D completely false, choosing it as the correct answer.
- Option A is incorrect because it is a true sign of their bond; the weed metaphor helps Derry see his own value as a living being.
- Option B is incorrect because it is a true sign of progress; admitting he likes the garden shows he is beginning to lower his emotional guard.
- Option C is incorrect because it is a true sign of their connection; the story helps challenge Derry's habit of isolating himself.
Used: Absurdity and Fact Screening
Application: Spotting the phrase "offers to adopt him" highlights a clear narrative error that never occurs in the script.
Final Logic: Because their bond develops through slow conversation rather than sudden, unrealistic claims, statement D is incorrect.
Trust takes time to grow; instant adoption is not part of the show.
20 Derry calls Mr Lamb "peculiar". What does 'peculiar' mean in this context?
"Peculiar" describes something that stands out as odd, eccentric, or unconventional. Mr. Lamb's conversational style and open worldview surprise Derry. The boy uses the word to highlight how different the old man is from anyone else he has met.
Derry is confused by Mr. Lamb's unique perspective on life. The old man refuses to scold him for trespassing, welcomes his insults, talks affectionately about weeds, and shares unusual stories. Because Mr. Lamb breaks all normal social expectations, Derry calls his behavior "peculiar," using the word to mean strange, eccentric, or unusual. This makes option C the correct answer.
- Option A is incorrect because although Mr. Lamb shows deep emotional wisdom, the word peculiar focuses on his eccentricity, not his IQ score.
- Option B is incorrect because Mr. Lamb is a gentle, welcoming person who displays no violent or dangerous behavior.
- Option D is incorrect because Mr. Lamb's unique perspectives are surprising and unconventional, not predictable.
Used: Contextual Definition Analysis
Application: The word must explain Derry's surprise at meeting someone who ignores social rules and treats him with genuine kindness.
Final Logic: "Strange or unusual" fits Derry's surprise at Mr. Lamb's unique personality perfectly, confirming option C.
To be Peculiar is to stand out from the crowd, being Strange and unusual instead of proud.
